Saturday, November 13, 2004
HTDAAB review
Then there is Jon Pareles (whose reviews are normally spot on) calling U2's new album, How to Dismantle an Atomic Bomb, their best work yet.
In 2000, with "All That You Can't Leave Behind," U2 decided to stop fleeing its past and let its music ring more clearly. The four songs that start the album became anthems of hope and determination, particularly after Sept. 11, but the rest was anticlimactic. "How to Dismantle an Atomic Bomb" also embraces the open chords and resonant spaces of early U2, but it has more punch, more abandon, some genuine grandeur and some glimmers of humor. While the Edge's tremolo-picked sustained notes and arpeggios are familiar, the music is by no means a retreat to the chiming marches of early U2; instead, it encompasses grunge pugnacity, glam-rock stomps and the sudden benevolent fanfares of "Abbey Road"-era Beatles. The music scales dynamic peaks and dives into abysses and whirlpools, only to resolve into the next chorus. Every song is memorable.
Tensions between intellect and passion, and between pragmatism and faith, drive the songs on "How to Dismantle an Atomic Bomb"; so do burly guitar riffs, galvanizing crescendos and fearlessly emotional vocals. The album easily stands alongside the best work of U2's career - "Boy," "War," "The Joshua Tree" and "Achtung Baby" - and, song for song, it's more consistent than any of them.
In conversations with Pareles, Bono also makes some excellent points about faith and religion, especially after the U.S. elections.
"To have faith in a time of religious fervor is a worry. And, you know, I do have faith, and I'm worried about even the subject because of the sort of fanaticism that is the next-door neighbor of faith. The trick in the next few years will be not to decry the religious instinct, but to accept that this is a hugely important part of people's lives. And at the same time to be very wary of people who believe that theirs is the only way. Unilateralism before God is dangerous." "Religion is ceremony and symbolism," he added. "Writers live off symbolism, and performers live off ceremony. We're made for religion! And yet you see this country, Ireland, ripped over religion, and you see the Middle East. Right now, unless tolerance comes with fervor, you'll see it in the United States."
I am guessing U2 must be the only band that gets consistently good reviews 25 years after they first started playing. Think of the reviews Pink Floyd or the Stones got in the 80's. Well, I suppose it also helps to be producing consistently good music, right?
In 2000, with "All That You Can't Leave Behind," U2 decided to stop fleeing its past and let its music ring more clearly. The four songs that start the album became anthems of hope and determination, particularly after Sept. 11, but the rest was anticlimactic. "How to Dismantle an Atomic Bomb" also embraces the open chords and resonant spaces of early U2, but it has more punch, more abandon, some genuine grandeur and some glimmers of humor. While the Edge's tremolo-picked sustained notes and arpeggios are familiar, the music is by no means a retreat to the chiming marches of early U2; instead, it encompasses grunge pugnacity, glam-rock stomps and the sudden benevolent fanfares of "Abbey Road"-era Beatles. The music scales dynamic peaks and dives into abysses and whirlpools, only to resolve into the next chorus. Every song is memorable.
Tensions between intellect and passion, and between pragmatism and faith, drive the songs on "How to Dismantle an Atomic Bomb"; so do burly guitar riffs, galvanizing crescendos and fearlessly emotional vocals. The album easily stands alongside the best work of U2's career - "Boy," "War," "The Joshua Tree" and "Achtung Baby" - and, song for song, it's more consistent than any of them.
In conversations with Pareles, Bono also makes some excellent points about faith and religion, especially after the U.S. elections.
"To have faith in a time of religious fervor is a worry. And, you know, I do have faith, and I'm worried about even the subject because of the sort of fanaticism that is the next-door neighbor of faith. The trick in the next few years will be not to decry the religious instinct, but to accept that this is a hugely important part of people's lives. And at the same time to be very wary of people who believe that theirs is the only way. Unilateralism before God is dangerous." "Religion is ceremony and symbolism," he added. "Writers live off symbolism, and performers live off ceremony. We're made for religion! And yet you see this country, Ireland, ripped over religion, and you see the Middle East. Right now, unless tolerance comes with fervor, you'll see it in the United States."
I am guessing U2 must be the only band that gets consistently good reviews 25 years after they first started playing. Think of the reviews Pink Floyd or the Stones got in the 80's. Well, I suppose it also helps to be producing consistently good music, right?
